what year did chris brown run it come out

These are “nothing else to do” bars without real inspiration. (He was spotted shooting hoops with Brown the day before they announced the tape.) He is so prolific and explosive that it’s easy to imagine a lot of his best rapping happening like this, but his verses and hooks here are aimless in an idle sort of way. Roping Thug into Chris Brown’s world of frictionless songcraft limits the possibilities for what the rapper can do he’s rarely seemed as bored as he does on “Trap Back.” Thug says he recorded his verses in a single day honestly, it sounds like it. Young Thug, for his part, sounds jaded and disengaged. The two of them don’t share any meaningful connection, and they mostly come across as self-indulgent. He is an incompatible, and in some cases unwelcome, partner for rap’s mischievous trickster god-indeed, someone’s already made a version where he is entirely cut out of the tape. Brown is a deposed R&B king-turned-heel whose continued hitmaking is offset by his inability to grow or show restraint, in his music or in his life. Young Thug teaming with Chris Brown doesn’t have the same upside. They were two of rap’s preeminent talents in their primes, independent but together. On Rich Gang Tha Tour, Part 1, he and Rich Homie Quan formed an unlikely yin-yang duo that seemed linked even when unyoked, and even though he often lacks chemistry with frenemy Future, their collaborative tape, Super Slimey, was still like watching two sluggers at a home run derby bat flipping every time they go yard. Thug is no stranger to this kind of project. To work with Brown, Thug must sacrifice a ton of what makes him special and engaging.

Thug is at the height of his success and near the peak of his powers. Brown, while still commercially viable, has been slumping creatively.

The title implies a meeting of the minds and a marrying of their styles, yet this is a clear mismatch. It’s hard to imagine it existing in a world less dystopian than the one we’re in now.

Of the many strange pop-culture artifacts to emerge from quarantine, a collaboration between Young Thug and Chris Brown probably falls higher on the plausibility index than Beyoncé shouting out OnlyFans or the name X Æ A-12, but their new mixtape, Slime&B, still feels beyond explanation.

What year did chris brown run it come out